Category: Abstract Art

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Abstract Art

Fortune Kitty Beckons

FortuneKitty
Fortune Kitty Beckons
Alex Hinders, 2015.
Colored pencil and pen.
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There’s a popular Japanese good-luck charm sometimes known as ‘the beckoning cat.’ The cat usually has one paw raised and the other paw holding onto a feudal-era coin. Sometimes the paw is even motorized so it can actually wave at you. Putting these in the front of buildings and store is supposed to bring good luck to the owner. Well, I could use a beckoning cat or two in my life right about now.

While working on this I was surprised at how well the colors gold and silver go with the color scheme of American money. I often say that I can’t find many occasions to break out the gold and silver colored pencils so I’ll have to remember that they go well with green. While this may seem to be a jubilant drawing at first glance if you look closely at the expressions on the faces in the coins and bills you’ll see an undercurrent of dismay and frustration.

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Abstract Art

One Letter

GeneticsB
One Letter
Alex Hinders, 2015.
Ashwagandha – also known as Indian Winter Cherry has the Botanical name Withania Somnifera -It is a shrub belonging to Solanace family. best prices on cialis And don’t massage by yourself blindly, otherwise, it may take the counter effects. cialis 5mg cheap The sales here levitra prices erection no longer gets harder as before and the male organ also don’t reach at that point of maximum happiness. By knowing more about ED, you can prevent it from occurrence; by improving the circulation of the blood into the male reproductive organ which happens due to the fact levitra generika that your urinary tract is obstructed due to enlarge prostate. Colored pencil and pen.

It’s monsoon season here in New Mexico and these clouds are killin’ me! But I wanted to update this week, and so I shall.

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Abstract Art

Conflict

Conflict
Conflict
Alex Hinders, 2015.
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Here’s another work form my red and purple experimentation phase. The blocks to the left of the figure all connect to her but also draw your eyes to the right. The blocks on the right hand side tug at you in different directions and most of them draw your attention towards the largest purple block in the image. This large purple block points back to the largest red block, which can in theory take your eyes on another loop. The negative space between the largest red and purple blocks bothers me a bit — it’s almost as if it acts as a cage for the figure.

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Abstract Art

Shatter

Shatter
Shatter
Alex Hinders, 2015.
Colored pencil and pen.

Rush for immediate cure before it is too late. buy viagra wholesale You should treat an online pharmacy like you would any other online business, make sure they have an address & phone number should you have brand viagra from canada bargain prices a problem need to get in touch & only pay through secure payment methods. Similar thing goes for the prescription of non-specific viagra buy in usa also. Did you know that a lot of people complain how a certain pill or cream offered incredible results with strength of erection and also for achieving intense pleasure during coitus. donssite.com viagra uk I think I’ve mentioned that I’ve recently been very interested in the clash between red and purple — if you haven’t noticed it yet it’ll become obvious pretty soon. I feel a bit odd saying that I’m interested in the relationship between red and purple. In my mind, the imaginary audience would ask me at this point, “But Alex, red and purple are two colors. One’s red; one’s purple. What’s the big deal?” Perhaps it’s the fact that one is at the front of the visual spectrum that we humans can observe while the other is at the end — opposite ends of the line meeting. However, if you perceive color as a wheel instead of a straight line, then purple flows right into red. So these two colors are either the bookends propping up the perceivable range of color, or two stalwart allies that stand side by side.

In this particular drawing I’m relying heavily on the “poles apart” aspect of the two colors’ relationship. Both halves of the figures have blue hair, which give it a sense of continuity — you know that these two halves are part of the same whole. However, the two halves differ in where they’re red and where they’re purple, which ruins whatever chance at symmetry they might have had. If you imagine a big X through the two halves then the purple pieces and the red pieces would line up diagonally. (Not including the eyes.) The fact that your mind can see the like colors so close together gives you a hint at a possible unity, but the reality of the fracture yanks it back away from you. Please also notice that the way the figure has cracked is not symmetrical — some connecting pieces are missing. Your mind can easily imagine what the figure would look like if all the pieces were in place but you’re also intellectually left with the fact that these fragments can no longer make a whole. Not even if you jam them together.

 

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Abstract Art

Decoration

Decoration

Decoration
Alex Hinders, 2014.
Colored pencil and pen.

The set of colored pencils I use has two really awesome colors that I rarely get to use — gold and silver. They even reflect light more than the other colors to give them a metallic feel! Sadly, these two colors don’t crop up in my artwork often, so I don’t get to play with them much.
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I imagine that this drawing could be the design for a small three to five inch metal badge that someone could wear. The edges are gold and silver to give it the sense of gravitas that the colors invoke — the sense that something is precious or of value. Since I rarely work with these colors I didn’t know what would really compliment them so I finally settled on softer, more subtle shades of blue and purple. The brighter and warmer colors in the middle are to contrast with the generally dark colors used on the woman which acts as a spotlight, drawing your attention to her face.

Line is also a key component of my artwork, of course. The constant crisscrossing and differing directions of the lines create a sense of conflict. Despite this, the color scheme is pretty harmonious, so the inherent sadness in the drawing might not be obvious until your eyes are drawing to the tilt of the figure’s head. The center rectangle, besides being more vibrant than the rest of the drawing, also features the most horizontal lines clustered together. Thus, they stand in stark contrast to most of the lines and direction of the drawing, which also draws your eyes to the center.

 

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Abstract Art

In Focus

InFocus
In  Focus
Alex Hinders, 2015.
Colored pencil and pen.
8.5″ x 11″

Studies show those half men between the ages of 40 and 70 shall have experienced impotence condition to generic cialis online some degree. The pain can range from a simple ache in the back of your thighs and cialis samples calf muscles, tingling or burning sensations as far down as your feet and toes, muscle weakness, and numbness. cialis pfizer Spinal decompression works by gently stretching the spine – taking pressure off spinal discs (gel-like cushions between the bones in your spine). The key ingredient of this drug, sildenafil citrate is proven to help treat cheap cheap viagra men fight off impotency for good. In this drawing, the green stripes are creating a sense of circular movement around the central figure — the shades of blue in between the stripes are also strengthening this feeling of direction. On the right hand side of the drawing there’s a slash of blue that goes against the grain of the movement and leads the eye back down to the central figure, as well as more green stripes flowing in that semi-circle pattern. This leads you your eye back into a continuous loop. If you follow this loop then you won’t get a good look at the centerpiece, only a notion of it — this may create an air of dread.

On the outside of the centerpiece I chose to use harmonious colors — blue and green — because I thought this would strengthen the feeling of motion. If I had chosen a different color I fear that it would have distracted from this. The ring in the middle is colored gold so that it creates a firm barrier between the hot and cool colors. If I had chosen to use the same shade of green for this inner ring then the red would have lost it’s feeling of being quarantined — the green would flow right into the red, naturally.

The inner ring has a violent nature due to it being the only source of warm colors in the drawing.  I used different shades of red for the different parts of the circle — the eye has trouble telling between different shades of red, making this area even more uncomfortable. If you’ve been reading my blog, then you know that I like to use complimentary colors to my full advantage. Red and green are complimentary colors, but the green is significantly brighter than the red behind it, creating tension. The fact that the green figure is divorced from any other cool color and forced to deal with the red on her own seals the state of unease present in this drawing.

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Abstract Art Uncategorized

Tangled Branches

TangledBranches

Tangled Branches
Alex Hinders, 2015.
Colored pencil and pen.
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The Forest is a theme that seems to run rampant across my body of artwork. (I just took a look at the ‘Browse by Title’ page and I count at least eight forest related drawings, with this one included.) At first, I thought that the forest only related to my romantic life — the first time I really noticed it was after an ex and I literally broke-up in a forest. But lately, I’ve been thinking that the forest encompasses far more than just relationships. I think that the forest, to me, represents the stage on which we all act. All of the decisions that we make, all of the actions that we decide to take — all of this takes place in the forest.

Color-wise, you’ll notice that this uses the dangerous red and green color scheme. Although these two colors are complimentary to one another, the combination has a strong connection to Christmas here in the US. This can lead to a sort of un-conscious connection to the holidays that can become a conscious connection and then undermine the tone and meaning of drawing. I tried to side-step that by making most of the red and green shaded with black, hopefully providing a sense of menace that wouldn’t get mistaken with any sort of Christmas cheer. The use of lines going in opposing directions also heightens this tension.

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Abstract Art

Planets

 

Planets
Planets
Alex Hinders, 2014.
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Some people believe that the position of heavenly bodies has certain effects on the universe or has some sort of special meaning. I don’t buy into astrology or anything like that, but I do find it to be a romantic notion in itself. Having the planets all in alignment is supposed to be something of special value — usually a good omen for you. So I wonder how aligned my solar system must be according to this picture.

At first I wanted to go with a super realistic color scheme for the planets but I felt it would’ve offset the color balance I was going for. So you’ll have to excuse my grassy giant planet and my jolly fuchsia Jovian planet. At least I managed to get the shape of the sun accurate.

Categories
Abstract Art

Portrait in Orange and Blue

Portrait in Orange and Blue
Alex Hinders, 2014.
Colored pencil and pen.
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This seems to be related to a drawing that turned out to be an abstract portrait of me from 2012. Interesting to note is that I seemed to be the subject of the 2012 portrait, but in this 2014 portrait the frame seems to be the main focus of the drawing. I’m sure there’s some deep psychological meaning behind that.

Categories
Abstract Art

Through Tangerine Eyes

TangerineEyes2Through Tangerine Eyes
Alex Hinders, 2014.
Colored pencils and pen.

I almost didn’t color this one, but in the end I did, mainly because I was bored and this was the first drawing I found. The color scheme consists of warm colors contained within a frame of cold colors. While I can’t exactly say why — sometimes creativity evades logic like that — I felt this drawing shouldn’t have green. I would have been okay with having red in the drawing except for the fact that would be the only color without a complimentary one, and again, I really didn’t want to bring green into this. In retrospect I probably could have gotten away with putting red in the iris of the eye but I don’t really have any regrets on how this turned out.
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You might think that you see red in the drawing, but I assure you that’s just a dark orange that’s edging dangerously close to the red zone. My scanner has a hard time picking up subtle variations in orange. Well, I suppose my eyes have a hard time picking up on those, too, which is why I rarely use orange as a dominant color.

As for the meaning of the drawing I get the sense that it’s about looking within and seeing the good parts of yourself that you might have forgotten you have, or have been neglecting lately. Tangerine Eyes are much more practical than Rose-Tinted Glasses.