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The Ballad of Peter Pumpkinhead Drawings

Peter PumpkinHead Drawings
Alexis R Hinders, 2016-2017.
Colored pencil, pen, and digital.

You know how I’ve done illustrations for Roger Waters songs? I did one for XTC’s song “The Ballad of Peter PumpkinHead” as well. It’s actually one of my top-ten favorite songs of all time and I used to love to play it during the springtime in Iowa. It just felt like Spring to me  for some reason. Check out the music video and the individual drawings!

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A Night of Clarity, Part X

You can see the artwork accompanied by music here:

And the artwork itself:

A Night of Clarity, Part X
Alexis Hinders, 2018.
Colored pencil and pen

An angel on a Harley
Pulls across to greet a fellow rolling stone
Puts his bike up on it’s stand
Leans back and then extends
A scarred and greasy hand…he said

Hells Angel :”How ya doin bro?…where ya been?…where ya goin?”
Then he takes your hand
In some strange Californian handshake
And breaks the bone

Angels Moll :”Have a nice day”

A housewife from Encino
Whose husband’s on the golf course
With his book of rules
Breaks and makes a ‘U’ and idles back
To take a second look at you
You flex you rod
Fish takes the hook
Sweet vodka and tobacco in her breath
Another number in your little black book

These are the pros and cons of hitchhiking


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Oh babe, I must be dreaming
I’m standing on the leading edge
The Eastern seaboard spread before my eyes
“Jump” says Yoko “Oh No!
I’m too scared and too good looking” I cried
“Go on”, she says
“Why don’t you give it a try?
Why prolong the agony all men must die.”

Do you remember Dick Tracy?
Do you remember Shane?

(Joey :”And mother wants you.”)

Could you see him selling tickets
Where the buzzard circles over

(Joey :”Shane!”)

The body on the plain
Did you understand the music Yoko
Or was it all in vain?

(Joey :”SHANE!”)

The bitch said something mystical “Herro”
So I stepped back on the curb again

These are the pros and cons of hitchhiking

Oh babe, I must be dreaming again

These are the pros and cons of hitchhiking

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Reverb

Reverb
Alexis Hinders, 2017.
Colored pencil and pen.
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There are some pretty simple art techniques that are known as being subtractive in nature. That is, to say, to achieve the desired effect you must remove something — color, clay, or what have you. I’ve never really thought of applying it to my abstract art before but it seemed the perfect thing to accomplish what I was shooting for here. The bright lines in the face on the right and the background were done simply by erasing some of the layers of colored pencil I had put on the page.

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At Her Best

At Her Best
Budding archeologists (and canadian cialis pharmacy sharp parents) commit be carefree to comprehend that a museum director, Dr. Age is one of the factors for low libido. female levitra The amount of junk email being sent in order cheap viagra visit to find out more cyberspace has spiraled out of control. This gives motivation to the patients to cope with their generic viagra canada addiction and recover from it. Alex Hinders, 2017.
Color pencils and pen.

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The Girl Who Missed Her Prom

PromGirl

The Girl Who Missed Her Prom
Alex Hinders, 2016.
Colored pencil and pen.

I actually finished this drawing early in January, 2016. I was really distraught over how some of the blending went, however, and decided that the drawing was basically unsalvageable. So I set it aside. Eight months later I looked at it again and I’m surprised by how I had written this drawing off. I’ve mentioned before on this blog that sometimes I occasionally have some problems with perfectionism — or maybe I haven’t? I’ve been doing this site for so long I’m starting to forget. But this is a perfect illustration of what I mean when I’m over-focusing on details.

First off, let’s play a game. Check out the drawing above and try to find the part that I was dis-satisfied with. Can you do it? I’ll give you a hint: It appears in the following area of the drawing.

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Did you find it? I’ll circle it for you.

MagnifiedPromGirl2

Looking at it now, it’s not such a big deal. I’m still not terribly pleased with how this portion turned out, blending-wise, but I don’t think it drags the overall drawing down. I’m still really pleased with the texture of the girl’s hair and the overall feel of the drawing. But sometimes, it’s like I can’t tell my eyes to zoom-out and I’m looking at something minor magnified beyond what it should be. Like this:PromGirlMagnified3

There’s an idiom about forests, and trees, and seeing all the wrong stuff. I forget how it goes, though.

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A Night of Clarity, Pt. VII

In this part of the story, the man dreams that he moves into a cabin in the woods with the mysterious hitchhiker woman. Unfortunately, things don’t work out, and this proves to be the end of the road for this ill-fated affair. I’ve decided to post the lyrics to the song these pictures are based off of — “Go Fishing” — to better help you understand the narrative at play. The lyrics are, of course, the intellectual property of Roger Waters.

Buckle up, because this is where things get intense.

(Spoken words: “As cars go by I cast my mind’s eye
Over back packs on roof racks
Beyond the horizon
Where dream makers
Working white plastic processors
Invite the unwary
To reach for the pie in the sky
Go fishing my boy!”)

Song7p1Song7px
Song7p2Song7p3Song7p4

We set out in the spring
With a trunk full of books about everything
About solar devices
And how nice natural childbirth is
Song7p6

We cut down some trees
And we trailed our ideals
Through the forest glade

Song7p5

We dammed up the stream

And the kids cooled their heels
In the fishing pool we’d made

Song7p7

We held hands and we exchanged bands
And we practically lived off the land

Song7p8b

You adopted a fox cub
Whose mother was somebody’s coat
You fed him by hand
And then snuggled him down
In the grandfather bed while I wrote

Song7p9b

We grew our own maize
And I only occasionally went into town
To stock up on antibiotics
And shells for the shotgun that I kept around

Song7p10

I told the kids stories
While you worked your loom
And the sun went down sooner each day.

Song7p13Song7p11

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Man: “Chapter six, in which Eeyore has a birthday
And gets two presents…”

*The sound of a joint being lit*

Child: “Daddy…come on dad!”

Man: “…Eeyore the old grey donkey stood by the side
Of the stream and he looked at himself in the water
“Pathetic” he said, “That’s what it is”
“Good morning Eeyore” said Pooh
“Oh” said Pooh, He thought for a long time.”)

Song7p12

The leaves all fell down
Our crops all turned brown
It was over
As the first snowflakes fell
I realised all was not well in the camp

Song7p14

The kids caught bronchitis

Song7p15

The space heater ran out of diesel

Song7p16

One weekend a friend from the East
Rot his soul
Stole your heart

Song7p17

I said “Fuck it then!

Take the kids back to town
Maybe I’ll see you around”

Song7p18Song7p19

And so…leaving all our hopes and dreams
To the wind and the rain
Taking only our stash
Left our litter and trash

Song7p20

And set out on the road again
On the road again

Song7p21

(Spoken:

Child: “Bye bye, Daddy! Bye bye!”)

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Long Hot Bath

LongHotBath

Long Hot Bath
Alex Hinders, 2015.
Colored pencil and pen.

This is a simple drawing illustrating the joys of a long and hot bath. An alternate title could be “Healing.”
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This drawing uses two cool colors and their complimentary warm colors. Blue is my favorite color, and the color I usually use to depict myself. I almost chose red for the curtains, but this would have all of the warm colors in the picture and give the image a greater feeling of energy. It probably would’ve looked nice like that — but it just wasn’t what I was going for. In the end I decided to leave the bath tub white, as I felt I would have had to introduce another color for it. Using purple would have completely dominated the image in that color, and using blue would make the tub seem to be related to the figure inside of it. I wanted to make certain the person and the bathtub are two separate objects.

I should also mention that I’ve recently done a number of drawings that don’t have colored backgrounds. There’s actually an artistic term, horror vacui, which means ‘fear of empty space.’ It was originally applied to older art work that filled every inch of its space with detailed patterns and images. While I assume the word was invented with tongue-in-cheek intent, it does accurately describe the dilemma an artist faces when working on art. Is space left un-used evidence that the drawing is unfinished — or worse, is it evidence that the artist is lazy? Well, I’ve decided that at least for now, I’m not afraid of empty spaces.

For now.

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of Two Minds

OfTwoMindsb
Of Two Minds
Alex Hinders, 2015.
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I’m working on a larger drawing at the moment that heavily utilizes a red/purple/blue color scheme and this has made me appreciate the relationship between red and purple. They’re on opposite ends of the spectrum — poles apart. For this drawing, though, I chose yellow and green, since they complement the red and the purple. The purple clashes with both the red and the green. I’ve created a sense of tension here by alternating complementary colors and non-complimentary colors.

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A Night of Clarity, Pt. VI

If you’re forgotten your place in the narrative, check out the earlier Night of Clarity entries.

During Song 6, the Man is still reeling from the nightmarish image of his wife eating a dog sandwich. He cowers in the corner, aware that somehow his wife can see into his dreams and is aware of his imaginary infidelity. But then the dream takes a sudden turn, and the man is back in the hotel where the Hitchhiker Woman left him. This time, though, instead of leaving him, she says she was “Only joking”, and the two of them start talking about running away to the country together. They get so wrapped up in this idea that they eventually pack up their things and move out to a cabin of their own. They are certain that nothing but domestic bliss awaits them in their new life.
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Tangled Branches

TangledBranches

Tangled Branches
Alex Hinders, 2015.
Colored pencil and pen.
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The Forest is a theme that seems to run rampant across my body of artwork. (I just took a look at the ‘Browse by Title’ page and I count at least eight forest related drawings, with this one included.) At first, I thought that the forest only related to my romantic life — the first time I really noticed it was after an ex and I literally broke-up in a forest. But lately, I’ve been thinking that the forest encompasses far more than just relationships. I think that the forest, to me, represents the stage on which we all act. All of the decisions that we make, all of the actions that we decide to take — all of this takes place in the forest.

Color-wise, you’ll notice that this uses the dangerous red and green color scheme. Although these two colors are complimentary to one another, the combination has a strong connection to Christmas here in the US. This can lead to a sort of un-conscious connection to the holidays that can become a conscious connection and then undermine the tone and meaning of drawing. I tried to side-step that by making most of the red and green shaded with black, hopefully providing a sense of menace that wouldn’t get mistaken with any sort of Christmas cheer. The use of lines going in opposing directions also heightens this tension.